A crucial part of the skill of a producer is to know those standards, and a skilled by broadcasters when they put a slot or format out to tender in the production.
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I've always followed 14KT because he was one of the few people from where I was from who made me believe you don't have to come from some big city to become a big producer and DJ. It's a lot of soft synthesizer bass lines but it's super big. I purchased this record within the last couple of months. It causes a tension because not everyone is familiar with it, but when the beat drops, it's ridiculous. You can be here and do this and get a chance to travel the world. I hear the song and there's just a certain bounce to it that's really, really L. The instrumental are crazy. I went to DJ Timbuck2's memorial party that they have every year since he passed. He samples a part of the song and adds chords, baselines, different drums to it. It's like, instead of going to the strip club and liking the dancers, you like the waitress. There's a hammock, but there's also a really loud subwoofer wherever you're at. I get a gauge of if I'll play it and when. It's sort of similar to the song itself. I was playing a bar and I tested out a few songs including this one to see if the bartender liked it. It features Med and another LA legend, Kokane. It's kind of like if L. He's one of my favorite producers. I knew I had to play it everywhere. That's how I found it. A month or two later, I forgot who it was, but someone told me, "Hey man, check out Stro Elliot. I would play this right afterward, just to make the crowd wait in anticipation. The whole song is infectious. Anyway, the bartender that night liked the record, so I played it during peak hour. You know how you can take one song on Apple Music and make a radio station out of it?
Photo of Slot-A by Kris Lori. It just really creates this nice sound. Cazal Organism is a young producer from out in L. The whole concept of the song I thought was funny.
It's one of those songs where you play the original and then you play this one slot-a producer after.
12x12 paper way it's mixed, even if people don't know slot-a producer, there's a great chance they're gonna lose their mind. When I found out about it, I thought, this is crazy.
May 14pm.
Whether it's for playing out at a club or listening at home, DJs and producers typically have an encyclopedic hoard of music, new and old. In The Last Record , they tell us about the last three songs or albums they've purchased, and why these were important additions to their music collection. For today's edition, Slot-A dives deep into production-forward tracks sure to please you through the summer. He has a self-titled project. I see a really nice beach. There's a little phrasing that occurs in the [original]. The drums aren't necessarily quantified perfectly, but it's right on beat and it's infectious, from the chords to the opening verse from Med. I instantly fell in love with it. He's from my hometown of Ypsilanti, Michigan. This was the first time that people called in to ask, "What was that? Like the instrumental is just one of those songs you can play by itself, with the baseline and the way the kick and snare function with each other. I first got introduced to Lido because he sampled this really great song from Kirk Franklin called "Melodies from Heaven," and then blended it with "Crush on You" by Lil Kim.